How many people have lent their names to a speech act? I’m not thinking of proper nouns that denote a literary style (Dickensian, Kafkaesque, Proustian), but of a specific syntactical, grammatical, or other linguistic act named for a person. This is what I’ve come up with. Bowdlerize: named for Thomas Bowdler (1754-1825), who in who…
Author: Philip Nel
The Purple Crayon’s Legacy, Part I: Comics & Cartoons
One side effect of writing The Purple Crayon and A Hole to Dig: Crockett Johnson and Ruth Krauss (forthcoming, 2012) is that I could write pages on how Johnson’s Harold and the Purple Crayon (1955) has influenced subsequent artists and writers – and, for that matter, on Harold’s antecedents. (The list of works discussed in the…
Kadir Nelson Is the Best; or, When the Caldecott Committee Strikes Out
What makes an award-winner?  One of the best picture books of 2008, Kadir Nelson’s We Are the Ship: The Story of Negro League Baseball (2008) won neither the Caldecott Medal nor a Caldecott Honor. The following year, Jerry Pinkney became the first African American to win the Caldecott Medal – “given to the artist of the…
Parry Gripp, Commercial Jingles, & Other Good Music
What ever happened to commercial jingles? Â When I was growing up, it seemed to me that most products had their own theme songs: “My bologna has a first name — it’s O-s-c-a-r,” “Plop, plop, fizz, fizz,” “Hershey is the great American chocolate bar,” “What walks downstairs, alone or in pairs, and makes such a slinkety…
More Metafiction for Children
Since “Metafiction for Children: A User’s Guide” went up yesterday (as the final entry on In Media Res’ “Children’s Culture” week), I’ve been pleased by people’s kind response to my amateur video. Thanks, everyone! There are far more books than I could include in the film, and there were several I had not thought of….
Crockett Johnson: Ford’s Out Front!
With a nod to the survival of the U.S. auto industry, here’s an ad campaign from when American automakers were thriving. Â Created for Ford in 1947-1948, Crockett Johnson based these ads on his untitled cartoon, popularly known as The Little Man with the Eyes, which ran in Collier’s from 1940 to 1943. Â In each cartoon,…
Never Say Die: A Mix for Job-Seekers
Inspired by a tweet and then a blog post from Natalia Cecire, this mix is intended for those of you on the academic job-market — but I hope it provides some encouragement for anyone out there looking for work. 1)Â Respect ARETHA FRANKLIN (1967) If this isn’t the greatest cover song of all time, I don’t…
A Is for Art: Stephen T. Johnson’s Abstract Alphabet
Part children’s book and part lesson in twentieth-century artistic movements, Stephen T. Johnson’s A is for Art: An Abstract Alphabet is at the avant-garde of alphabet expressionism. Cubism is here, but the work explores the influence of dada and its children–surrealism, pop art, and conceptual art–and other styles such as abstract expressionism and color field…
The Trauma Games
War is hell.  If General Sherman (and, I expect, many others) hadn’t said it first, I suspect Suzanne Collins might have chosen those three words as a subtitle for her Hunger Games trilogy.  As its predecessors did, Mockingjay dramatizes the physical and emotional consequences of war.  It’s especially adept at displaying the scars invisible to those of…
Johnson and Krauss, Together for the First Time!
Though they had lived together since 1940 and married in 1943, this 1944 photograph is the first one to include both Crockett Johnson and Ruth Krauss. Â Taken by Frank Gerratana, it appeared in the Sunday Herald (Bridgeport, Conn.) of October 1, 1944. Â In my biography of Johnson and Krauss, I’m using a print of the…
